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Trained as a jazz drummer Keith treats the human frame as though it were a trap set with a large battery of drums. In his solo performance, Terry claps, jumps, slaps his butt cheeks, shuffles his feet, patty-cakes his thighs, scuffs his shoes, clicks his tongue, and glides across the floor, switching up tempos and altering rhythms with dexterity. Terry has played drums professionally for most of his life, in a wide variety of music and dance settings, including keeping time for an older generation of tap dancers, like Eddie Brown, Charles "Honi" Coles, and Charles "Cookie" Cook. About thirty years ago Keith Terry was a founding member of the Jazz Tap Ensemble and created his first body music piece, which quickly got inserted into the company's repertoire. When he demonstrated some of the movements for Coles and Cook, they compared it to the hambone dances they were doing in vaudeville. But rhythmically, Terry was onto something else, they said. Terry liked the idea of harking back to an older tradition, while adding innovations of his own. Three decades, hundreds of compositions, and thousands of performances later, Terry was awarded a Guggenheim Fellowship.
From 1998 to 2005 Keith was on the faculty at UCLA's Department of World Arts and Cultures, where he designed and taught a dozen courses on the relationship of music and dance; deep listening; synchronicity, time and timing; and intercultural communication in the arts. In 2006 he conceived and directed the first international body music performance project for the Orff Institute in Salzburg with artists from Turkey, Finland, Spain, Austria and the US. As Artistic Director, he produced the First International Body Music Festival in Oakland/San Francisco in December, 2008. The second IBMF will take place in December 2009. Keith tours extensively in the Americas, Asia and Europe, where his Body Music performances, workshops, residencies and choreographic commissions are popular among professional performers and educators. For more information visit http://www.crosspulse.com or http://www.myspace.com/keithterrybodymusic
"Sophisticated and up-to-the-minute in its intellectual appeal, in its multicultural inspirations and in its blending of boundaries between art forms." --THE WASHINGTON POST "Keith Terry's unique "body percussion" performance was likea great vintage wine, so smooth and tangy were his rhythms and sounds, so slyly intoxicating." ". . . not just crossing cultural borders, but jaywalking across the lines that separate music from the visual arts." -- RHYTHM MUSIC MAGAZINE "A virtuoso invertebrate, bending, bouncing, flopping and popping (literally) in our midst but rarely seeming to come down to earth." -- DANCE MAGAZINE "Terry lifts you to a philosophical plane of exquisite lucidity usually reached only by means of controlled substances." -- THE VILLAGE VOICE "This guy is a one-man band machine. I expected flames to come out of his head by the time he was through." -- THE NEW YORK PRESS.
Workshops Saturday and Sunday, October 10 & 11 Two ways to register: BODY MUSIC WORKSHOP
Body Music with Keith Terry Using the oldest instrument on the planet -- the human body -- we clap, slap, snap, step and vocalize our way through some very fun and funky, original and traditional rhythmic music. BODY MUSIC is an effective way of internalizing rhythmic work, which enhances the development of time, timing, phrasing, listening skills, independence, coordination and ensemble awareness. It is a useful tool for musicians, dancers and movers of all kinds, actors, DJs and film editors -- anyone interested in improving their rhythmic skills. Wear comfortable clothing and clean sneakers or jazz shoes.
AMERICAN CLOGGING American Clogging with Evie Ladin and fiddle player American Clogging developed from the collision of English, Irish, Scottish, African and Native American cultures in the mountains in the Southeastern US. The percussive dance tradition that lights the fire under stringband music, American clogging, also known as buckdancing or flatfooting, is the grandmother of tap dance. In this clogging workshop, we will learn many of the basic steps as well as techniques for freestyling. Tap shoes or any hard soled shoes appropriate. For percussive dancers, this workshop will expand your repertoire of styles and syncopated steps.
BODY TAP
Tap Dance Vocabulary Transcribed into body percussion; feet, hands and voice combine to create a symphony of sound and movement. Tasha Lawson is Artistic Director of Tri-Tone Productions, a dance company offering interdisciplinary solo and ensemble performance works in the mediums of Body Percussion, Tap, and Contemporary Dance. The company will present a new body percussion work, "Playin" with Chance" a tribute to the late Charles "Honi" Coles and Cholly Atkins. Premiered in Austin, Texas, June 2009, this piece received rave reviews and accolades for its creativity and pioneering technique, which translates tap vocabulary and rudiments of historical tap works into body percussion vocabulary and rudiments. Ms. Lawson will teach workshops on this technique on Sunday at the Regent Studios. For more information about Tasha Lawson and Tri-tone Productions, visit her website at www.tashalawson.com.
Rhythm Time Steps for Inter./Adv. Tappers with Josh Hilberman Josh Hilberman, world renowned performer and teacher, shares original combinations as well as steps influenced by James “Buster” Brown, Coles and Atkins, and Joes Stirling and more!!!! Don’t miss this rare opportunity to enjoy Josh’s keen sense of timing and musicality as he shares challenging and fun and always usable choreography. Visit www.hilbermania.com for more propaganda.
CLAP IT TAP IT AND SNAP IT Clap it, Tap it and Snap it in 6/8 time with Drika Overton
Drika has shared the stage with such acclaimed artists as Savion Glover, Jimmy Slyde, Buster Brown, Brenda Bufalino, Dianne Walker, and Keith Terry. She has been a featured soloist at the Duke Theater in New York as part of the New York City Tap Festival; the Southeastern TapExplosion in Atlanta; RhythmExplosion, Bozeman, MT; the Bates Dance Festival; the New England Artist’s Congress; The Liz Lerman Dance Exchange Shipyard Project; on Public Television; and at numerous jazz clubs, concerts, and festivals. In 2007 Drika was selected to participate in the first New England Dance Lab, a Regional Dance Development Initiative of the National Dance Project. Also in 2007 New England Presenters commissioned her and composer Paul Arslanian, with support from the New England Foundation for the Arts, to create a new touring project. Off the Beaten Path: A Jazz & Tap Odyssey was created in collaboration with Brenda Bufalino and Josh Hilberman and toured New England in 2008-2009. Drika teaches master classes and residencies at schools, colleges and universities, studios and festivals throughout the United States. Most recently she was commissioned to teach and choreograph work for dance companies at Rhode Island College in Providence and at Auburn University in Alabama.
Two ways to register:
Questions: Contact Thelma Goldberg at 781-863-5360 or e-mail tgoldberg@thedanceinn.com
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